BackgroundThis started back in the mid '90's, when I built the prototype for this high-performance crystal set. I discovered I could hook it to a 1920's horn speaker, and comfortably listen to WOR, 50KW, 40 miles away. (WOR's directional antenna pattern shows a minor lobe in my direction.) I took this rig along to the Antique Wireless Association Conference, and set it up in the flea market with a modest antenna. 50KW WHAM was only 4 miles away, so passersby could listen 10 feet away despite the ambient noise. Later, I installed a sound-powered telephone element into an Atwater-Kent Model-L horn. That was good for at least a 10 dB improvement in output. I'm listening to this speaker connected to my Jersey City set, as Im typing. Minus 22 dBm (about 7 micro-watts) provides comfortable listening for my old ears. (My apologies if you wasted 20 minutes on that linked video.) Anyway, speakers on crystal sets are interesting. It's magic: all the energy comes out of the Ether. If you only want to make a little noise just gin something up. However, proper horn design is a little complicated. I see a lot of questionable stuff on the Web. For instance, if you make something that's shaped like a classical horn, but one third the size, the low-frequency cutoff will be three time as high, like right in the middle of the voice frequency range. |
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The exponential horn came into favor because of its flatter frequency response yielding more natural sound. The
flare shape of the horn
greatly effects its frequency response.
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Size Matters
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Music Master horn ca. 1924 |
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A good article HERE. |